

Oddly, no one else was there. When I asked the gallery attendant he confessed that he hadn’t heard anything about it—except for a mysterious phone call he’d received earlier in the day, informing him that he should expect to “receive services” around 5:30.
I stood alone in the gallery. I began to wonder if the point of the project was to promise something free for art gallery owners, then leave them hanging. I suppose that could work.
But, no, at 5:45, Cornelius appeared, small entourage in tow.
She wore a black baseball cap and an orange jumpsuit emblazoned with the words ART SERVICES. She also wore a surfeit of protective gear: safety goggles, a dust mask, knee pads, bright blue rubber gloves. She brought along a large rolling trash can full of cleaning products—paper towels, lots of plastic bags, mop, bucket, etc.

I took a few pictures. Unfortunately, I wasn’t able to stay to the end of the performance—I left while she swept the floor.
My first thought about the piece: Is every performance in the SiteProjects DC series going to involve bright orange jumpsuits? Janis Goodman, Peter Winant, and Tom Ashcraft wore similar outfits for their birdhouse debacle.


Granted, the jumpsuit is an indispensible component in most pranks--say, defacing billboards. People respect uniforms, even bogus ones, and you're less likely to be questioned or disturbed while wearing one. "Too busy to talk!" the jumpsuit says. "Official business!"


Seems like a model for other young D.C. artists to follow.
2 Comments:
Thanks for writing this.
My, your blog is fascinating, Ms. Insurance.
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